Thursday, July 16, 2026

omm: Jorie Graham's Killing Spree


whizzed past, we liked the look of it, it liquefied
death, it was here to stay, it actually
had nowhere else to go, was in its last stages now, longed to be
revelation, longed to be part of
nature making its
whistling sounds above, its
screaming
below. The classrooms exploded. The bits of desks lay about
in the dust-filled amnesia. Were we supposed to
wake up, or was it never sleep
again—sleep
a mind blown to bits
after each ordnance hits & the craters
open…
We are so late in this story.
Unable to tell our heroes from our tormentors.
Unable to be convinced ever again of
anything.
Convinced. The word like a year in which nothing happened, a day
blown off the record—the spree
an exhausted teacher unveiling yet again
the temporary
lesson.
You’d think it must be about great love.
You’d think it must be about
poverty or endgame or the provisional emergency visa
nobody ever received in time
so no exit from the spree
ever occurred…
So, no, friend,
stranger,
when your turn in line brought you to the desk, up front,
the teacher was a killer,
one of the very best,
and as he bent over his desk over his list looking for your name
you realized he was your old
professor of astronomy,
the one who taught you to see the stars—
what year was that—
the skies were still visible,
and the stars, the stars…You are afraid to look up now,
the guard towers so full of thirsty lights
so eager to make of you
a singular
example.
The paint has chipped off the legs of his table,
you can see that through these layers of desert-dust.
But once it had gleamed,
once it had stood at the front of the class,
behind it the huge night sky of the blackboard
where he had made his chalkmarks scratch
releasing the spidery calculations and then
the galaxies…
Those marks look now like
the tips of rifles,
though you hadn’t seen it then,
& they were all pointing straight at the class,
at you in your row, at us,
at our assembly line of questions.
We still had questions…
You were ready for the blindfold when they pulled it
from the drawer.
The dark felt silky over your burnt face.
You heard the sound of the shovel cutting the earth.
Where is your mother.
What is that springing forth,
that deep inhalation followed by
nothing.
It’s the trees. Listen to me, think of wind in trees.
Yes the drones pass over and this is their wind.
But it’s still a precious thing. A pure thing. Wind.
It will brush you as though there were leaves, as though there were trees.
When is the last time you saw trees.
You feel them begin to cut your hair.
You listen hard for your new wind, your drone.
You imagine the leaves.
Their glittering still there under the dust.
You can smell the old maps lying on the desk.
You hope a rat will find you,
you hope your fingers will still feel its small jaws,
its minuscule hunger.
You remember Saturn—how he’d drawn it, almost giddy,
its wings hatching wildly across the blackboard,
I lived you say
to no one in particular,
the key deep in your pocket they’ll never find,
yr hand closing round it—
& that time I came home late & the door was locked, u think,
I slept on the stoop
all through the night,
I will lie down now,
I will take off my shoes,
they will put me against the wall,
I will leave my mark—
& it’s then that the smell arrives
of rust, iron, acid & fresh cut roses—a thunder
of sweetness.
It is your blood as it explodes from you.
We hear the bullet.

Will it be erased from time itself now
the small stony hill
in which my village lay,
will it bleed out from me now
the cool stone floor, the water in the basin,
my window onto the olive groves,
the pigeons muttering in the lowest limbs—
& where will it go
where I overhear my father
thanking my mother—
late at night in the dark kitchen—
his thank you, thank you—this clicking of the stars
all round them—
where will it go, where will it be buried
my time,
will it rise up in no one ever again
as memory, as dream,
this moonlight’s scent over the fields
& in it the barefoot steps of my father
coming to see if I am
asleep.
And stars falling anytime I look—anytime—like magic—my luck.
And mother’s low song in the other room….

You who do not know any longer what song is,
or dream, or memory, or the sound of
stars—look up—don’t blink—here it is now the slit throat of the sky
where the endless beginning keeps
pouring itself
forth.

THE WORLD
didn’t change much
at first. At
first it
didn’t change
much, at first I
didn’t—I don’t—
change much.
At first we
didn’t & they
didn’t & the atmosphere
stayed the same
or enough to seem
the same. The same.
I say the word
out loud to my-
self. Who changed I
think. What started out & then
disappeared without
actually dis-
appearing. It’s so quiet
in here. It’s so
quiet now. The now
used to be a noisy
place & now
it is so
still. Where is everyone
I think. What is it
that is dis-
possessed. Can it ever be re-
possessed. Never?
Now and again your soul
wakes up in
spurts asking
what is—or is there—a just
struggle. Then you,
then I, cry out
where are you
everyone. We were in one world
& then was it u or
us or them or no one in
particular—in
particular my heart
leaps at that—oh
in particular—but no one
answers & no one
came along in the end.
And that was when
the end began.
I only just realized
it. Only just heard
no one survived—or is it they
still hide, above
the cries, no
child, no one
replies, no one not
blind, confined,
lined up, wired up, piled
up, made to
comply, des-
pised, compromised, the soul perpetually dis-
guised, the words even
the right words
cannot be un-
furled from breath from
mind oh
memory no cannot be
dug up dug up from
this buried world.
All reactions:


Wednesday, July 15, 2026

Omm: Defense Mechanisms

 

  1. Repression: Unconsciously pushing distressing thoughts, feelings, or memories out of conscious awareness.
  2. Denial: Refusing to accept or acknowledge the reality of a traumatic or anxiety-producing situation.
  3. Projection: Attributing one’s own unacceptable or threatening thoughts, feelings, or motives onto someone else.
  4. Displacement: Redirecting an impulse, emotion, or reaction from a dangerous or unacceptable target to a safe, less threatening one.
  5. Reaction Formation: Behaving in a way that is the exact opposite of one's true, often uncomfortable or unacceptable, feelings.
  6. Rationalization: Creating false but seemingly logical justifications to explain away unacceptable behavior or negative outcomes.
  7. Intellectualization: Focusing on the intellectual, logical, or academic aspects of a distressing situation to avoid experiencing the painful emotions tied to it.
  8. Sublimation: Channeling unacceptable urges, impulses, or frustrations into socially acceptable, productive behaviors or activities.
  9. Regression: Reverting to an earlier, more childlike stage of development or behavior when faced with stress.
  10. Suppression: The conscious, intentional act of pushing distressing thoughts or feelings aside, with the plan to address them later.
  11. Compensation: Overachieving in one area to make up for perceived deficiencies or weaknesses in another area.
  12. Dissociation: Compartmentalizing or disconnecting from reality, one's identity, or one's physical surroundings in order to escape trauma or overwhelming stress.
  13. Identification: Adopting the beliefs, behaviors, or characteristics of another person or group in order to feel more secure or capable.
  14. Avoidance: Intentionally staying away from people, places, or situations that trigger distressing thoughts or emotions.
  15. Conversion: Expressing psychological distress or an unconscious conflict through physical, bodily symptoms with no underlying medical cause.
  16. Acting Out: Expressing an unconscious emotion or impulse directly through behavior rather than reflecting on or talking about the feeling.
  17. Splitting: Viewing people or situations as entirely "all good" or "all bad," lacking the ability to see gray areas or ambivalence in others. 

The Uses of Sorrow by Mary Oliver

(In my sleep I dreamed this poem)

Someone I loved once gave me
a box full of darkness.

It took me years to understand
that this, too, was a gift.

#additionbysubtraction

Thursday, July 9, 2026

Each From Different Heights

Stephen Dunn


That time I thought I was in love

and calmly said so

was not much different from the time

I was truly in love

and slept poorly and spoke out loud

to the wall

and discovered the hidden genius

of my hands.

And the times I felt less in love,

less than someone,

were, to be honest, not so different

either.

Each was ridiculous in its own way

and each was tender, yes,

sometimes even the false is tender.

I am astounded

by the various kisses we’re capable of.

Each from different heights

diminished, which is simply the law.

And the big bruise

from the longer fall looked perfectly white

in a few years.

That astounded me most of all.

Tuesday, July 7, 2026

i take my glasses off

Lucille Clifton 


it is the hard

edge of things

i am avoiding

the separations

so that i can take my glasses off

and then i cannot tell

which are the leaves

and which the angels

like blake

like that man

who lived with the lepers

not noticing what was sin

and what was grace

visioning visions vision

i take my glasses off

so i can see


#poets

Monday, July 6, 2026

 “Most people don’t see you. They see how you make them feel.”


I don’t know if anyone knows how disingenuous you are. 

How you’ve cultivated a facade of sincerity and approachability that hides your cutting and callous nature. 

How scary inappropriate. Invasive. Indecent. Insecure you truly are.

How being born plain will always be an impossible hurdle for your super-sized ego to bear. 

How you exercise your ‘power’ over people by getting away with crossing boundaries and never getting caught doing the diabolical things you do.