Monday, November 28, 2016
Staying by Pierluigi Cappello
My eyes turned to salt in looking back,
my thoughts stood still in gestures,
in the silence of what’s been done;
I gathered the crumbs of another lunch
and shook them into the garden’s vitreous air
where the sun’s just cracked and spilled.
Here, even a flutter of blackbird beyond the hedge
stands still, as my words stand still, like ships in bottles.
Your language is mine but mine is not yours.
At home, I could feel myself thinking
while the television glowed in shadow
and a film score spread like smoke in a saloon.
I keep to myself what it means to tend a fire,
the thick scent of soaked wood, a match between my fingers,
the way a day resides in what’s to do, in another light
split by the clouds, a different sunset tied to the tallest trees
flush in the eyes of houses, on the poor man’s livestock;
a touch here, a touch there — the way loneliness comes,
today, a day like this, one day more alone.
Sunday, November 27, 2016
The Empty Glass by Louise Gluck
I asked for much; I received much.
I asked for much; I received little, I received
next to nothing.
And between? A few umbrellas opened indoors.
A pair of shoes by mistake on the kitchen table.
O wrong, wrong—it was my nature. I was
hard-hearted, remote. I was
selfish, rigid to the point of tyranny.
But I was always that person, even in early childhood.
Small, dark-haired, dreaded by the other children.
I never changed. Inside the glass, the abstract
tide of fortune turned
from high to low overnight.
Was it the sea? Responding, maybe,
to celestial force? To be safe,
I prayed. I tried to be a better person.
Soon it seemed to me that what began as terror
and matured into moral narcissism
might have become in fact
actual human growth. Maybe
this is what my friends meant, taking my hand,
telling me they understood
the abuse, the incredible shit I accepted,
implying (so I once thought) I was a little sick
to give so much for so little.
Whereas they meant I was good (clasping my hand intensely)—
a good friend and person, not a creature of pathos.
I was not pathetic! I was writ large,
like a queen or a saint.
Well, it all makes for interesting conjecture.
And it occurs to me that what is crucial is to believe
in effort, to believe some good will come of simply trying,
a good completely untainted by the corrupt initiating impulse
to persuade or seduce—
What are we without this?
Whirling in the dark universe,
alone, afraid, unable to influence fate—
What do we have really?
Sad tricks with ladders and shoes,
tricks with salt, impurely motivated recurring
attempts to build character.
What do we have to appease the great forces?
And I think in the end this was the question
that destroyed Agamemnon, there on the beach,
the Greek ships at the ready, the sea
invisible beyond the serene harbor, the future
lethal, unstable: he was a fool, thinking
it could be controlled. He should have said
I have nothing, I am at your mercy.
Saturday, November 26, 2016
Cast Off by Belle Randall
If thy own hand . . . offend thee
—Matthew 18:8
—Matthew 18:8
Self-hatred? No, no dear: that seems inflated—
chagrin: the shame you feel when friends withdraw
for reasons they leave tactfully unstated,
leaving you to guess at your faux pas
From all you did and didn’t say for ages,
as in some vast congressional report,
your sin, at last, is lost among the pages;
a snow of detail cuts inquiry short.
In downtown windows where late sunlight glares,
you see yourself, as if you’d never met.
Who is this rumpled lookalike who wears
a blouse like yours, the armpits dark with sweat?
Your eighth grade diary still makes you cringe
saved—for what?—that you might now despise
pages time has lent a jaundiced tinge
pouring forth their daisy-dotted i’s?
Some second-guesser in you finds untrue
the echo of your own voice in your ears,
and wants to ask which one most sickens you:
the voice that whines with neediness and fears,
Or one no doubts can ever undermine,
that speaks before a general assembly,
proclaiming loudly what to do with thine
own hand (or his, or mine), should it offend thee?
Friday, November 25, 2016
Love Poem by Dorothea Lasky
The rain whistled.
A taxi brought me to your apartment building
And there I stood.
I had dreamed a dream
Of us in a bedroom.
The light shining upon us in white sheets.
You were singing me a song of your sailing days
And in the dream
I reached deep in you and pulled out a cardinal
Which in bright red
Flew out the window.
Sometimes when we talk
On the phone, I think to myself
That the deep perfect of your soul
Is what draws me to you.
But still what soul is perfect?
All souls are misshapen and off-colored.
Morning comes within a soul
And makes it obey another law
In which all souls are snowflakes.
Once at a funeral, a man had died
And with the prayers said, his soul flew up in a hurry
Like it had been let out of something awful.
It was strangely colored, that soul.
And it was a funny shape and a funny temperature.
As it blew away, all of us looking felt the cold.
Wednesday, November 23, 2016
The giver by James Baldwin
If the hope of giving
is to love the living,
the giver risks madness
in the act of giving.
Some such lesson I seemed to see
in the faces that surrounded me.
Needy and blind, unhopeful, unlifted,
what gift would give them the gift to be gifted?
The giver is no less adrift
than those who are clamouring for the gift.
If they cannot claim it, if it is not there,
if their empty fingers beat the empty air
and the giver goes down on his knees in prayer
knows that all of his giving has been for naught
and that nothing was ever what he thought
and turns in his guilty bed to stare
at the starving multitudes standing there
and rises from bed to curse at heaven,
he must yet understand that to whom much is given
much will be taken, and justly so:
I cannot tell how much I owe.
Monday, November 21, 2016
What I Like by Alice Fulton
Friend-the face I wallow toward
through the scrimmage of shut faces.
Arms like towropes to haul me home, aide-
memoire, my lost childhood docks, a bottled ark
in harbor. Friend-I can't forget
how even the word contains an end.
We circle each other in a sacred bolero,
imagining strategems: postures and imposters.
Cold convictions keep us solo. I ahem
and hedge my affections. Who'll blow the first kiss,
land it like the lifeforces we feel,
tickling at each wrist? It should be easy
easy to take your hand, whisper down the distance
labeled hers or his: what I like about you is
through the scrimmage of shut faces.
Arms like towropes to haul me home, aide-
memoire, my lost childhood docks, a bottled ark
in harbor. Friend-I can't forget
how even the word contains an end.
We circle each other in a sacred bolero,
imagining strategems: postures and imposters.
Cold convictions keep us solo. I ahem
and hedge my affections. Who'll blow the first kiss,
land it like the lifeforces we feel,
tickling at each wrist? It should be easy
easy to take your hand, whisper down the distance
labeled hers or his: what I like about you is
Wednesday, November 16, 2016
Meaninglessness by Stephen Dunn
He was staring at one of its faces,
fine-boned, with one of those faint,
appealing scars, a face he might
seek out at a party on a night
he couldn't help himself again.
He'd learned, but forgotten,
the pointlessness of seeking;
he was, after all, alive,
and desire often sent him aching
toward some same mistake.
The museum was spacious, the walls full
of those gestures towards permanence
he wanted to believe mattered.
No longer was he sure they did.
But he was there, had paid his money.
The definition of beauty, Valery said, is easy;
it's what leads you to desperation.
He moved from room to room
and the face moved with him.
Renoir's women looked merely healthy.
A museum guard trailed, careful
not to hover. Meaninglessness,
he remembered(but not in time),
is what always makes a promise.
Otherwise we'd expect little
from it, no bloodrush, or grand
holiday of the mind, no sweet
prolonged forgetfulness
about what the future hold, no cheers
from the suddenly awakened soul.
fine-boned, with one of those faint,
appealing scars, a face he might
seek out at a party on a night
he couldn't help himself again.
He'd learned, but forgotten,
the pointlessness of seeking;
he was, after all, alive,
and desire often sent him aching
toward some same mistake.
The museum was spacious, the walls full
of those gestures towards permanence
he wanted to believe mattered.
No longer was he sure they did.
But he was there, had paid his money.
The definition of beauty, Valery said, is easy;
it's what leads you to desperation.
He moved from room to room
and the face moved with him.
Renoir's women looked merely healthy.
A museum guard trailed, careful
not to hover. Meaninglessness,
he remembered(but not in time),
is what always makes a promise.
Otherwise we'd expect little
from it, no bloodrush, or grand
holiday of the mind, no sweet
prolonged forgetfulness
about what the future hold, no cheers
from the suddenly awakened soul.
Saturday, November 12, 2016
Friday, November 11, 2016
Thursday, November 10, 2016
The Wake Was a Line and We Watched by Mary Jo Bang
While we stood in the window and wept.
Well, not wept but sniveled
A little and wiped our eyes
On a coat sleeve. What
Well, not wept but sniveled
A little and wiped our eyes
On a coat sleeve. What
Were we thinking, I wonder now.
It was fall.
It was clear. A boat sat
Throwing a reflection of itself
It was fall.
It was clear. A boat sat
Throwing a reflection of itself
Onto a body of water.
It sits and sits. As the ornament is
A monument so is the bird in the sky
One with the eyes
It sits and sits. As the ornament is
A monument so is the bird in the sky
One with the eyes
That were taking it all in.
An argument for a theory
Of all-in-oneness. All as all. Imagine
The “I” as a camera turned on
An argument for a theory
Of all-in-oneness. All as all. Imagine
The “I” as a camera turned on
To a mirror.
Where the face in the mirror
Isn’t that of the one looking in
But of Jacqueline Onassis
Where the face in the mirror
Isn’t that of the one looking in
But of Jacqueline Onassis
Or someone else famous
Beyond saying.
A full fifteen minutes.
It’s in the nature of looking
Beyond saying.
A full fifteen minutes.
It’s in the nature of looking
At the future while married to the moment.
It’s Disney’s “Mickey
And The Broken Mirror Mishap”
All over again.
It’s Disney’s “Mickey
And The Broken Mirror Mishap”
All over again.
The jagged glass reforming
Into a narrative where
The core event keeps clicking into place
As a great, a terrible, shattering.
Into a narrative where
The core event keeps clicking into place
As a great, a terrible, shattering.
This thought leads straight
To the darkest thought: I miss home.
Like a child misses home, or
A line drawing of a Quebec Marmot.
To the darkest thought: I miss home.
Like a child misses home, or
A line drawing of a Quebec Marmot.
That’s what happens.
Meanwhile, the madness.
The brain-gray concourse.
The utter factuality of the few true things.
Meanwhile, the madness.
The brain-gray concourse.
The utter factuality of the few true things.
Wednesday, November 9, 2016
Monday, November 7, 2016
Sunday, November 6, 2016
The Untrustworthy Speaker by Louise Gluck
Don’t listen to me; my heart’s been broken.
I don’t see anything objectively.
I know myself; I’ve learned to hear like a psychiatrist.
When I speak passionately,
that’s when I’m least to be trusted.
It’s very sad, really: all my life, I’ve been praised
for my intelligence, my powers of language, of insight.
In the end, they’re wasted—
I never see myself,
standing on the front steps, holding my sister’s hand.
That’s why I can’t account
for the bruises on her arm, where the sleeve ends.
In my own mind, I’m invisible: that’s why I’m dangerous.
People like me, who seem selfless,
we’re the cripples, the liars;
we’re the ones who should be factored out
in the interest of truth.
When I’m quiet, that’s when the truth emerges.
A clear sky, the clouds like white fibers.
Underneath, a little gray house, the azaleas
red and bright pink.
If you want the truth, you have to close yourself
to the older daughter, block her out:
when a living thing is hurt like that,
in its deepest workings,
all function is altered.
That’s why I’m not to be trusted.
Because a wound to the heart
is also a wound to the mind.
Saturday, November 5, 2016
Undertow by Dean Young
People looking at the sea,
makes them feel less terrible about themselves,
the sea's behaving abominably,
seems never satisfied,
what it throws away it dashes down
then wants back, yanks back.
Comparatively, thinks one vice president,
what are my frauds but nudged along
misunderstandings already there?
I can't believe I ever worried
about my betrayals, thinks the analyst
benefitting facially from the sea's raged-up mist.
Obviously I'm not the only one suffering
an identity crisis knows the boy
who wants to be a lawyer no more.
Nothing can stay long, cogitates the dog,
so maybe a life of fetch is not a wasted life.
And the sea heaves and cleaves and seethes,
shoots snot out, goes to bed only to wake
shouting in the mansion of the night, pacing,
pacing, making tea then spilling it,
sudden outloud laughter snort, Oh what the
heck, I probably drove myself crazy,
thinks the sea, kissing all those strangers,
forgiving them no matter what, liars
in confession, vomitters of plastics
and fossil fuels but what a stricken
elixir I've become even to my becalmed depths,
while through its head swim a million
fishes seemingly made of light
eating each other.
Belief in Magic by Dean Young
How could I not?
Have seen a man walk up to a piano
and both survive.
Have turned the exterminator away.
Seen lipstick on a wine glass not shatter the wine.
Seen rainbows in puddles.
Been recognized by stray dogs.
I believe reality is approximately 65% if.
All rivers are full of sky.
Waterfalls are in the mind.
We all come from slime.
Even alpacas.
I believe we’re surrounded by crystals.
Not just Alexander Vvedensky.
Maybe dysentery, maybe a guard’s bullet did him in.
Nonetheless.
Nevertheless
I believe there are many kingdoms left.
The Declaration of Independence was written with a feather.
A single gem has throbbed in my chest my whole life
even though
even though this is my second heart.
Because the first failed,
such was its opportunity.
Was cut out in pieces and incinerated.
I asked.
And so was denied the chance to regard my own heart
in a jar.
Strange tangled imp.
Wee sleekit in red brambles.
You know what it feels like to hold
a burning piece of paper, maybe even
trying to read it as the flames get close
to your fingers until all you’re holding
is a curl of ash by its white ear tip
yet the words still hover in the air?
That’s how I feel now.
You'd Think The Sky Would Run Out Of Water by Todd Colby
You'd think the sky would run out of water,
but it won't; it just keeps coming down. I need someone
to marvel at the breath escaping from me.
Do you have a natural resource you prefer to exploit?
Does someone think of you and turn the channel?
How would you ever know?
Have you ever zoned out during Downton Abbey?
I'm certain of something I'd prefer not to tell you about.
"Slow down," you say. But I can already see my breath,
and its only October. Walking with you is making everything
watery and spazzed out, like a movie about sex
where I have sex and people are all like,
"He's amazing, we really like his sex style!"
But I digress. Will you please stand up when called upon to tell
the audience how wonderful I was in my best moments;
like someone in senior management delegating things and being sure
of everything but how to stop? I promise I'll make this up to
you. I'll write your name on the menu board,
and people will come into the store all expectant of you.
1
Our Minds buzz like bees
but not the bees' minds.
It's just wings not heart
they say, moving from flower to flower.
37
Beware, o wanderer, the road is walking too,
said Rilke one day to no one in particular
as good poets address the six directions.
If you can't bow, you're dead meat. You'll break
like uncooked spaghetti. Listen to the gods.
They're shouting in your ear every second
12
Not here and now but now and here.
If you don't know the difference
is a matter of life and death, get down
naked on bare knees in the snow
and study the ticking of your watch.
Our Minds buzz like bees
but not the bees' minds.
It's just wings not heart
they say, moving from flower to flower.
37
Beware, o wanderer, the road is walking too,
said Rilke one day to no one in particular
as good poets address the six directions.
If you can't bow, you're dead meat. You'll break
like uncooked spaghetti. Listen to the gods.
They're shouting in your ear every second
12
Not here and now but now and here.
If you don't know the difference
is a matter of life and death, get down
naked on bare knees in the snow
and study the ticking of your watch.
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