While we stood in the window and wept.
Well, not wept but sniveled
A little and wiped our eyes
On a coat sleeve. What
Well, not wept but sniveled
A little and wiped our eyes
On a coat sleeve. What
Were we thinking, I wonder now.
It was fall.
It was clear. A boat sat
Throwing a reflection of itself
It was fall.
It was clear. A boat sat
Throwing a reflection of itself
Onto a body of water.
It sits and sits. As the ornament is
A monument so is the bird in the sky
One with the eyes
It sits and sits. As the ornament is
A monument so is the bird in the sky
One with the eyes
That were taking it all in.
An argument for a theory
Of all-in-oneness. All as all. Imagine
The “I” as a camera turned on
An argument for a theory
Of all-in-oneness. All as all. Imagine
The “I” as a camera turned on
To a mirror.
Where the face in the mirror
Isn’t that of the one looking in
But of Jacqueline Onassis
Where the face in the mirror
Isn’t that of the one looking in
But of Jacqueline Onassis
Or someone else famous
Beyond saying.
A full fifteen minutes.
It’s in the nature of looking
Beyond saying.
A full fifteen minutes.
It’s in the nature of looking
At the future while married to the moment.
It’s Disney’s “Mickey
And The Broken Mirror Mishap”
All over again.
It’s Disney’s “Mickey
And The Broken Mirror Mishap”
All over again.
The jagged glass reforming
Into a narrative where
The core event keeps clicking into place
As a great, a terrible, shattering.
Into a narrative where
The core event keeps clicking into place
As a great, a terrible, shattering.
This thought leads straight
To the darkest thought: I miss home.
Like a child misses home, or
A line drawing of a Quebec Marmot.
To the darkest thought: I miss home.
Like a child misses home, or
A line drawing of a Quebec Marmot.
That’s what happens.
Meanwhile, the madness.
The brain-gray concourse.
The utter factuality of the few true things.
Meanwhile, the madness.
The brain-gray concourse.
The utter factuality of the few true things.